{"id":494,"date":"2014-07-12T11:10:05","date_gmt":"2014-07-12T10:10:05","guid":{"rendered":"http:\/\/padraigrooney.com\/blog\/?p=494"},"modified":"2014-07-12T11:28:21","modified_gmt":"2014-07-12T10:28:21","slug":"les-rencontres-darles-1","status":"publish","type":"post","link":"https:\/\/padraigrooney.com\/blog\/les-rencontres-darles-1\/","title":{"rendered":"Les rencontres d&#8217;Arles (1)"},"content":{"rendered":"<p>Every year Arles buzzes with photo people of all stripes. <a href=\"http:\/\/www.rencontres-arles.com\/Home\">Its festival<\/a> runs throughout the summer but the week of 7-13 July sees a concentration of openings, parties and people in town. During a quick walk through the streets last night I was able to catch some striking work by the Montpellier-based artist who goes by the letters TTY, otherwise known as Thierry Art. He works in what looks like porcelain but may only be highly polished epoxy-resin, and photography. He won the Taipei International Digital Content Award in 2012. My personal view is that he needs to get a name with resonance. The work speaks for itself. It&#8217;s on show at <a href=\"http:\/\/lemagasindejouets.fr\">Le magazin de jouets<\/a>.<\/p>\n<div id=\"attachment_495\" style=\"width: 626px\" class=\"wp-caption aligncenter\"><img fetchpriority=\"high\" decoding=\"async\" aria-describedby=\"caption-attachment-495\" class=\" wp-image-495  \" alt=\"1072121-7\" src=\"http:\/\/padraigrooney.com\/blog\/wp-content\/uploads\/2014\/07\/1072121-7.jpg\" width=\"616\" height=\"370\" \/><p id=\"caption-attachment-495\" class=\"wp-caption-text\">The Little Models: Tout ce qui na\u00eet tend \u00e0 mourir, TTY photography.<\/p><\/div>\n<div id=\"attachment_496\" style=\"width: 626px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" aria-describedby=\"caption-attachment-496\" class=\" wp-image-496 \" alt=\"744378-7\" src=\"http:\/\/padraigrooney.com\/blog\/wp-content\/uploads\/2014\/07\/744378-7.jpg\" width=\"616\" height=\"616\" srcset=\"https:\/\/padraigrooney.com\/blog\/wp-content\/uploads\/2014\/07\/744378-7.jpg 770w, https:\/\/padraigrooney.com\/blog\/wp-content\/uploads\/2014\/07\/744378-7-150x150.jpg 150w\" sizes=\"(max-width: 616px) 100vw, 616px\" \/><p id=\"caption-attachment-496\" class=\"wp-caption-text\">Eternal Heads 3\/4, TTY photography.<\/p><\/div>\n<p>Then round the corner at <a href=\"http:\/\/voies-off.com\/index.php\/en\/william-ropp\">Voices Off<\/a>, 3 rue du S\u00e9minaire, William Ropp was exhibiting a range of his eery portraits. His book of haunting images <em>Memoires r\u0207v\u00e9es d&#8217;Afriques<\/em> has just been launched. Ropp himself was there on the shop floor and there was a steady stream of visitors. Ropp seems to specialise in capturing enlarged or slightly astigmatic eyes, which reminded me of the early portraits of Lucian Freud. Anyway, I liked them. He goes for deep shadows and long exposures. Ropp is French and based in Nancy<\/p>\n<div id=\"attachment_497\" style=\"width: 639px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" aria-describedby=\"caption-attachment-497\" class=\" wp-image-497 \" alt=\"@William-Ropp\" src=\"http:\/\/padraigrooney.com\/blog\/wp-content\/uploads\/2014\/07\/@William-Ropp.jpg\" width=\"629\" height=\"419\" \/><p id=\"caption-attachment-497\" class=\"wp-caption-text\">from his Mali series, William Ropp<\/p><\/div>\n<div id=\"attachment_498\" style=\"width: 572px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-498\" class=\" wp-image-498 \" alt=\"img_8232bon\" src=\"http:\/\/padraigrooney.com\/blog\/wp-content\/uploads\/2014\/07\/img_8232bon.jpg\" width=\"562\" height=\"787\" \/><p id=\"caption-attachment-498\" class=\"wp-caption-text\">William Ropp<\/p><\/div>\n<p>Then it was off down to <a href=\"http:\/\/www.actes-sud.fr\">Actes Sud<\/a> bookshop to check out the times for today&#8217;s showing of the John Maloof and Charlie Siskel documentary on the new York street photographer, <a href=\"http:\/\/www.vivianmaier.com\">Vivian Maier<\/a>.<\/p>\n<div id=\"attachment_499\" style=\"width: 490px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-499\" class=\" wp-image-499 \" alt=\"VM1954W02936-11-MC\" src=\"http:\/\/padraigrooney.com\/blog\/wp-content\/uploads\/2014\/07\/VM1954W02936-11-MC-1000x1000.jpg\" width=\"480\" height=\"480\" srcset=\"https:\/\/padraigrooney.com\/blog\/wp-content\/uploads\/2014\/07\/VM1954W02936-11-MC-1000x1000.jpg 1000w, https:\/\/padraigrooney.com\/blog\/wp-content\/uploads\/2014\/07\/VM1954W02936-11-MC-150x150.jpg 150w, https:\/\/padraigrooney.com\/blog\/wp-content\/uploads\/2014\/07\/VM1954W02936-11-MC.jpg 1050w\" sizes=\"(max-width: 480px) 100vw, 480px\" \/><p id=\"caption-attachment-499\" class=\"wp-caption-text\">Self-portrait, 1954, Vivian Maier<\/p><\/div>\n<p>Maier was a great discovery for me last year and I was happy to snag the last copy of the PowerHouse Books monograph on her, <em>Vivian Maier: Street Photographer<\/em>. The kind bookshop assistant retrieved it from the window. More on Arles, its new Van Gogh museum\/archive and on Vivian Maier tomorrow.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\">\n<iframe src=\"http:\/\/www.facebook.com\/plugins\/like.php?href=https%3A%2F%2Fpadraigrooney.com%2Fblog%2Fles-rencontres-darles-1%2F&amp;layout=standard&amp;show_faces=true&amp;width=450&amp;action=like&amp;colorscheme=light&amp;height=80\" scrolling=\"no\" frameborder=\"0\" style=\"border:none; overflow:hidden; width:450px; height:80px;\" allowTransparency=\"true\"><\/iframe>","protected":false},"excerpt":{"rendered":"<p>Every year Arles buzzes with photo people of all stripes. Its festival runs throughout the summer but the week of 7-13 July sees a concentration of openings, parties and people in town. During a quick walk through the streets last night I was able to catch some striking work by the Montpellier-based artist who goes [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[66,67,70,69,63,62,71,65,64,68,72,61],"class_list":["post-494","post","type-post","status-publish","format-standard","hentry","category-basel-blog","tag-actes-sud","tag-arles","tag-charles-siskel","tag-john-maloof","tag-photography","tag-rencontres-darles","tag-street-photography","tag-thierry-art","tag-tty","tag-vivian-maier","tag-voices-off","tag-william-ropp"],"_links":{"self":[{"href":"https:\/\/padraigrooney.com\/blog\/wp-json\/wp\/v2\/posts\/494","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/padraigrooney.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/padraigrooney.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/padraigrooney.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/padraigrooney.com\/blog\/wp-json\/wp\/v2\/comments?post=494"}],"version-history":[{"count":4,"href":"https:\/\/padraigrooney.com\/blog\/wp-json\/wp\/v2\/posts\/494\/revisions"}],"predecessor-version":[{"id":503,"href":"https:\/\/padraigrooney.com\/blog\/wp-json\/wp\/v2\/posts\/494\/revisions\/503"}],"wp:attachment":[{"href":"https:\/\/padraigrooney.com\/blog\/wp-json\/wp\/v2\/media?parent=494"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/padraigrooney.com\/blog\/wp-json\/wp\/v2\/categories?post=494"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/padraigrooney.com\/blog\/wp-json\/wp\/v2\/tags?post=494"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}