Konrad Witz The Synagoge
Ecclesia also grasps her cross from under her scarlet robe; in her right hand she balances a chalice on which a single host is in turn balanced by divine funambulism. The square shape of the canvas – in Ecclesia and The Synagogue – helps reinforce the confined unreality of the two pictures. In The Synagogue, the yellow-robed figure has her eyes closed and the standard she carries is elegantly snapped off, unrealistically so, below the nib-like tip.
Konrad Witz Ecclesia
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